Feb 182013
 

Slip-Stick (or Stick-Slip) is the frictional phenomena caused by two objects sliding over and sticking to each other. A few sonic examples of this include squealing car brakes, stridulating grasshoppers and squeaking chalk on a blackboard. Perhaps the most common musical example is that of bowed instruments where the action of the bow drives the strings in a regular cycle of stick-slip-stick-slip.

“Slip-Stick” consisted of two performances.  Both of these works utilised acoustic phenomena arising from Just Intonation interval tuning such as phasing, combination tones and sympathetic vibrations to produce a deeply immersive sonic environment.

The Ensemble performed using four new instruments recently built by Tim Catlin. These Just Intonation tuned metal rod instruments are bowed or stroked by hand and produce an ethereal, haunting sound. The long sustaining nature of the rod’s sound and the close interval tunings of the instruments allow players a sonic palette of richly complex textures and harmonic complexity.

Other instruments used in these pieces included bowed acoustic guitars, cymbals and metal sculptures, chromatic handbells, wineglasses, singing bowls and glockenspiels.

 

 

 

 Posted by at 12:10 pm
Nov 012012
 

I’ve started a new group, The Overtone Ensemble, to play my microtonal bowed rod instruments. (Atticus Bastow, Dave Brown, Ceallaigh Norman and myself.)

We will be playing four of these instruments as well as bowed cymbals, chromatic handbells, singing bowls, bowed metal and percussion.

At Bella Union, Trades Hall. 54 Lygon St. Carlton (9pm start $15) supporting Children of the Wave for the launch of their album “The Electric Sounds of Faraway Choirs”.

With The Sun Blindness.

Come along for a night of ritualistic skewed pop, dreamy psych sounds and outré drones..

 Posted by at 8:35 am
Oct 022012
 

I’m playing as part of the monthly  Hand Made Series at Wesley Anne, 250 High Street Northcote. Wednesday October 3, 8.30 pm $15/10

Will be playing bowed guitar plus debuting one of the new bowed metal instruments I’ve made.  (Twelve aluminium rods tuned to a just intonation scale. Played by bowing with rosined hands or gloves..)

Also appearing:  Dean Stanton and Earl of Lunchington.

http://exp-melb.blogspot.com.au/2012/09/get-set-for-more-wild-outsider.html

http://www.facebook.com/events/406254449442298/

 

 Posted by at 10:40 pm
Apr 232012
 

Over the last year I have been working on the re-design and customisation of one of my electric guitars. It’s now setup for just intonation tuning and has multiple bridges, with pickups and seperate outputs for each string segment. (Including a pickup above the nut) It’s designed to be played with bows, mallets and other such implements. (Photos to follow.)

This will be the first public performance using the guitar..

“Sonic Decadence” in Bendigo at 2.00pm on Sunday 29 April. (Old Fire Station, View St Bendigo) $5

Sonic Decadence is presented by Undue Noise and is a celebration of 10 years of presenting experimental and improvised music in Castlemaine and Bendigo.

It runs over two days with performances at 2.00 and 8.00pm on  both days. More information on lineups here: http://undue.cajid.com/blog/?p=331

 Posted by at 5:44 pm
Apr 092012
 

“Submerge presents a projected animated pool for reflection and temporal immersion, a portal to dynamic underwater worlds of fluidity and potential. Strange phantasmagorical floating lifeforms emerge out of the depths, twitching with life and floating  to the surface, into the photic zone.”

The video was a collaboration with Carolyn Lewens (cyanotype photography) and Asmund Heimark (animation).

I composed a 5.1 surround soundtrack for the video, which was projected onto the floor to simulate a “pond-like” effect.

It was installed at Linden Gallery in St. Kilda as part of the Innovators 1 show from April 8 to May 8, 2011 and at the Queensland Centre for Photography from July 17 to August 14 2011.

Video excerpt: Submerge

 Posted by at 5:11 pm
Mar 212011
 

The second collaboration between myself and Machinefabriek is out now.

12″ of white vinyl! (Also available as a download)

From the Low Point press release:

‘Following on from their debut release, ‘Glisten’ released by Low Point in 2009, ‘Patina’ is the second collaborative album by Tim Catlin, a guitarist and sound artist based in Melbourne, Australia and Machinefabriek, the nom de plume of Rutger Zuydervelt from Rotterdam, the Netherlands.

For the creation of ‘Patina’, Catlin and Zuydervelt adhered to the tried and tested method of working successfully employed on their previous collaboration. Catlin made initial recordings drawing upon a wide range of approaches, preparations and techniques for guitar and electric sitar that were then sent to Zuydervelt for the addition of extra sounds, overdubs and sequencing.

With both artists’ sharing a passion for developing upon the minutiae of the guitar, ‘Patina’ is an immersive album of unfurling layers of sound, acute harmonic gestures and deeply embedded drones. Throughout the course of these two long-form tracks, one can sense that the working relationship between these two artists has hit its stride. With a broader sound palette, including the introduction of field recordings and rhythmic elements being utilised to great effect, ‘Patina’ is an album of both gentle nuance and compelling intensity.’

 Posted by at 8:02 pm